The setting is Croatia and the time is the first third of the 20th century. The characters in this carnival "comedy" are drawn from the upper echelons of Croatian society. Krleza's characters talk of love, morality and art, but their appreciation of each other, their sense of true love, is as alien to them as true art: their approach to life and art are both false.

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The story of a group of friends whose devotion to each other is tested when one of them is raped, and another one is murdered at a weekend party. Now they are forced to take the law into their own hands.

László Dömötör, the divorced registrar, cannot get rid of his ex-wife any more than he can get rid of marriages. He is desperate to find new love, with little success. After Dömötör gets drunk as a tension reliever at work and turns one of his weddings upside down, his boss fires him. On his way out, he catches a glimpse of Norbert Lázár, an up-and-coming, semi-secret producer who runs nightclubs. Unconfirmed reports say he died in Africa. The man looks exactly like him. All of this spurs him to a crazy idea. A modernised adaptation of the 1942 comedy.

It is the night before Christmas and all through the decrepit school house nothing is stirring, not even a mouse. Well that is not exactly the truth, but what has happened in this weather beaten building in the barren Icelandic tundra is more akin to cruel fantasy than stark reality. A few days ago the participants of an experimental rehab clinic came there in order to cast out their inner demons, stay away from temptation and finally discover a little about their sober selves. That didn’t go quite according to plan, but they discovered Santa was real.

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Two toy bears and their adventures.

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